Calls for Art

Annual Call for Art

Shows in the Front & Center Galleries are scheduled via an annual Call for Art. To be notified about future Calls for Art, sign up for MAC’s electronic newsletter here.

Applications for the 2026 Call for Art will be accepted June 15 – July 15, 2026. 

Additional information:

Online application
2026 Call for Art  (application guidelines and review process)
Tips for applying 
Acceptable media guidelines
Front Gallery map
Center Gallery map

Midori Hirose (born in Hood River, OR) is a Japanese American interdisciplinary artist based in Astoria, OR. Hirose’s interdisciplinary practice explores themes of memory, transformation, and connection, drawing on playful nuance to discover new modes of communication. Her work investigates community bonds and the role of space in the generative process, often through collaborations and engagement with historical narrative, perception, and storytelling. Hirose utilizes physical objects and materials as interchangeable elements with these concepts. Through research and experimentation, her materials and techniques become living models of emergent taxonomy, a process she calls “material storytelling.” Her sculptures function as dimensional illustrations and metaphors for the complexity of knowing.

Hirose has exhibited nationally and internationally, including solo exhibitions at the Museum of Contemporary Art, Santa Barbara, and Oregon Contemporary (formerly Disjecta) for the Portland Biennial. Her work has also appeared in group exhibitions at venues such as the Jordan Schnitzer Museum of Art and The Lumber Room in Portland, OR, East/West Project in Berlin, Newberg Gallery in Glasgow, and Fylkingen in Stockholm. She is currently a recipient of the 2026 Coastal Oregon Artists Residency (COAR) Oregon Artist-in-Residence.

Master Artist Michael Bernard Stevenson Jr. is a Transdisciplinary, Black, Italian, Queer, Non-Binary, Neurodivergent creative practicing primarily in america. Their collaborative approach to community engagement results in artwork by and for the people.

Stevenson’s practice has been dedicated to supporting young people ages 4 to 18 in developing the necessary skills to encourage advanced imaginative thinking and self-confident expression. In 2019 they developed the Afro Contemporary Art Class at Dr. Martin Luther King Jr. School which has had many forms since, including Afro Futurist February (2020), three years of Fred Hampton Summer Camp (2020-2023), and the Living Archive at Jefferson High School (2023-2025). Currently they are collaborating to start up a new youth centered not for profit organization called Factory of Dreams in the Central Eastside Industrial District (2026-ongoing). 

Stevenson bridges the ideas, understandings, and contexts surrounding youth development into the contemporary art and socio-political worlds. Some of which were embedded in Mapping the Pipeline shown at the Portland Institute for Contemporary Art as part of the Policing Justice exhibition (2025). Recent creative projects include participating as an artist in residency program with GLEAN Portland (2026) and as guest curator of Congruencies Trans:form(ed) at the Patricia Reser Center for the Arts (2026). 

Stevenson continues to cultivate a robust portfolio of artist projects centering food and gathering around it, projects involving sculpture, drawing, and photography, and work in collaboration with currently and formerly incarcerated folks. 

Stevenson pursues these professional and creative goals passionately because they believe that empowered and open-minded young people and communities are the best and most direct way toward ensuring a sustainable and prosperous future for all.

The 2025 guest curators were:

Melanie Stevens is an artist, illustrator and writer. She is the creator of the graphic novel series, WaterShed, and the founder and director of black whole Press, a printmaking studio that hosts free workshops and provides resources, funding and residency programming for artists from marginalized communities. She received her Bachelor of Arts degree for Political Science from Yale University and her Master’s of Fine Arts degree for Visual Studies at Pacific Northwest College of Art, where she currently teaches.

Celeste Noche (she/her) is a Filipino American editorial and documentary photographer based between Portland, Oregon and San Francisco, California specializing in food, travel, and portraiture. Her work is rooted in the narrative; exploring memory, displacement, and identity.  She is the founder of Portland in Color, an arts nonprofit highlighting BIPOC creatives in Portland, and just opened her first photo studio this year.

(photograph at top) Solo exhibition by Tatyana Ostapenko, 2023.