Current & upcoming shows

August 7 - September 12, 2026

Front Gallery

Center Gallery

tende·r·eprisal // futu·re·prise
An African-diasporic arts initiative led by elijah jamal asani.

A two-person show by Swapna Mukhopadhyay and Philip A. Robinson Jr. 

There will be a joint reception on Thursday, August 20, from 6 to 8 p.m.

elijah jamal asani, a Nigerian-American artist, convened an intergenerational group of regional Black artists to create a collection of contemporary bronze artifacts. Their work was made in response to the historic theft of the Benin Bronzes. “Dating back to the 13th century, artists from the Kingdom of Benin, which is in modern-day southern Nigeria, cast bronze into sacred altar pieces and vessels of ancestral memory,” says asani. “However, in 1897, thousands of these bronze artifacts were looted by British forces.” They have yet to be repatriated. MAC is honored to exhibit eleven of these sculptures, created by Adriene Cruz, Midnite Seed Abioto, Intisar Abioto, Hanifah Abioto, Vaughn Kimmons, Turiya Raiah, Nyasiah Calixte, Lea Dry, Hannah Dry, Nawens Dry, and elijah jamal asani.

by Adriene Cruz
photo by Celeste Noche
by Nawens Dry

Swapna Mukhopadhyay creates functional and sculptural porcelain works, all hand built out of porcelain. “The combination of aesthetics and functionality in handmade folk artifacts has always fascinated me,” she says. “My grandmother made traditional Bengali quilts (kanthas) and wove mats for sitting on the floor (asanas). I now realize how deeply I was influenced by watching her work.” Delicatly drawn elements cover many of her ceramic surfaces, and several recent works incorporate textiles and found objects. Mukhopadhyay describes her process as “improvising around what’s available,” informed by her longtime study of ethnomathematics. 

Philip A. Robinson Jr. is a sculptor and conceptual artist whose work has been exhibited nationally and internationally. Working primarily in wood and metal, Robinson creates large-scale figurative and patterned works that explore memory, structure, and identity. “My practice examines structure as a living system—how materials carry memory, how patterns encode history, and how built environments shape identity,” he explains. “Whether in wood or steel, I am asking how structure holds memory—and how we locate ourselves within it.” Robinson holds a BFA in Studio Art from Skidmore College and an MFA in Sculpture from the Mason Gross School of the Arts at Rutgers University.

by Swapna Mukhopadhyay
by Philip A. Robinson Jr.

September 18 - October 17, 2026

Front & Center Galleries

A Good Universe Next Door – A redacted past, a precarious present, and an uncertain future
Curated by Melanie Stevens and Celeste Noche, featuring new work by Amber Capwell, Ebony Frison, Maryanna Hollmon and Orlando Almanza.

Opening Reception:  Saturday, September 19, from 1–3 p.m.
Artist Talk:  Saturday, October 10 at 2 p.m.

“In the midst of a redacted past, a precarious present, and an uncertain future, we invited four Portland-based artists to reflect on the ways in which they experience and interpret utopia/dystopia in their lives: the dichotomy between the devastating and the extraordinary, systemic barriers and reparations, and how these delineations function within their existence.” – Celeste Noche & Melanie Stevens

Orlando Almanza imagines futures built on safety, connection, and community. “I dream of a place where my people can have picnics next to the river, to rest, to laugh,” he writes. “Sueño con el día que pueda ver a mi familia reunida, en la tierra que nos vio nacer” (I dream that one day my family can be reunited, in the land that birthed us).

Ebony Frison approaches utopia and dystopia as “conditions that coexist within the same historical moment.” Working with archival research, printmaking, photography, and artist books, Frison examines how Black histories persist despite erasure, describing utopia as “a practice of rememory—an active engagement with ancestral knowledge, community care, and historical reclamation.”

Amber Capwell creates sculptural works that envision utopian possibilities through Tarot readings for endangered Pacific Northwest flora and fauna. “These sculptures exist as a reminder to care,” they write. Their work incorporates queer and trans identities as part of this ecological futurism that demands “a utopia existing where we are allowed to live and thrive.”

Maryanna Hollomon highlights the aftermath of war for children. “In this period of global capitalism we are faced with endless war and impending climate collapse,” she writes. “A utopia cannot be achieved without working in solidarity with those most oppressed,” she writes. Her work asks viewers to consider militarism’s impact and to imagine new forms of resistance and collective care.

Future Exhibits
2026

October 23 – November 28, 2026
Front Gallery – Lettie Jane Rennekamp
Center Gallery – The Reprintery (Charlotte Flory & Michelle Freedman)
Reception – Thursday, October 29, 6-8 p.m.

November 6 – December 31, 2026
Front Gallery – MAC Showcase, a group exhibition by MAC staff and instructors. 

2027 

January 15 – February 20, 2027
Front Gallery – Malini Gupta
Center Gallery – Chelsea Ferguson & Torea Frey

February 26 – April 3, 2027
Front & Center Galleries – A group show featuring artists from North Pole Studio & Elbow Room

April 9 – May 15, 2027
Front Gallery – Ajit Aserappa
Center Gallery – Baba Wague Diakite

May 21 – June 19, 2027
Front & Center Galleries – A group show curated by Midori Hirose & Master Artist Michael Bernard Stevenson Jr.

June 25 – July 31, 2027
Front Gallery – Avery Deering-Frank & Brittany Powell
Center Gallery – Biz Miller & Russ Musser

August 6 – September 11, 2027
Front & Center Galleries – a group show featuring photography by Zemula Barr, Willy Paul, Sophie Spinelle, Sonal Dhingra, Mika Martinez, Don Jacobson, Courtney Maulding & Benjamin Stewart.

September 17 – October 23, 2027
Front Gallery – Rachael Allen & Lael Salaets
Center Gallery – Just Listen, a group show by 50 artists from the Columbia Basin Basketry Guild and the Damascus Fiber Arts School

October 29 – November 27, 2027
Front Gallery – A group show by MAC staff & instructors. On display through 12/31.
Center Gallery – MAC Instructor Biennial Exhibition

2028

January 7 – February 12, 2028
Front & Center Galleries – A group show featuring textile and fiber arts by Anastacia Postema, Andrea Alonge, Hannah Kennedy, Hillary Gilbert, Mary Beth Giraci, Michelle Jackson, Mona Monroe & Nan Bobernac.

February 18 – March 25, 2028
Front Gallery – Joy Cartier
Center Gallery – Keith Van Norman

March 31 – May 6, 2028
Front Gallery – Elizabeth Laskey
Center Gallery – Nancy C. Helmsworth